I really enjoy taking photos, processing the film, making prints in the darkroom, and sharing them both online and off. These are my favorite things. Why I don’t spend more time doing them is a mystery to me; one I should solve.

For example, outside my window right now is early sunlight on fresh powdered snow. Yet here I sit looking at it while behind a computer screen.

brb

Based on this and other photos like it, I must conclude that photographers hate indie/folk bands.

Based on this and other photos like it, I must conclude that photographers hate indie/folk bands.

Look how small this box is. Not requiring power or USB cables, chargers, or installation discs helps.

Look how small this box is. Not requiring power or USB cables, chargers, or installation discs helps.

Nikon F100. Nikkor 50mm f/1.4
T-MAX 400 in T-MAX developer

Nikon F100. Nikkor 50mm f/1.4 T-MAX 400 in T-MAX developer

Drink Me

Leica M6
50mm Summicron
Portra 400.
B&W Conversion in Silver Efex Pro

Drink Me

Leica M6
50mm Summicron
Portra 400.
B&W Conversion in Silver Efex Pro

Stone Wall.

Leica M6
50mm Summicron
Portra 400.
B&W Conversion in Silver Efex Pro

Stone Wall.

Leica M6
50mm Summicron
Portra 400.
B&W Conversion in Silver Efex Pro

If you’re going to shoot color, there’s gotta be some color!

Leica M6
50mm Summicron
Portra 400.

If you’re going to shoot color, there’s gotta be some color!

Leica M6 50mm Summicron Portra 400.

If I get any more minimal, I’ll just scan exposed film and be done with it.

If I get any more minimal, I’ll just scan exposed film and be done with it.

Nostalgia for Negatives

When the gentleman handed me several packages of old film negatives recently, he was handing me the original photographs. I can be fairly certain of this, since they are the negatives. I can pick them up, hold them up to the light and see the image made by light striking that precise piece of film 100 years ago. The effect is magic. It gave me goosebumps, knowing that so many years ago, some photo technician stood in the dark and pulled the same negatives out of their chemical bath, holding them to the light, much the same as I do now.

Each negative is medium format and a simple contact sheet is enough to get a usable print. Again, by simply passing light through film and soaking it in chemicals for a minute or two.

I can’t help but feel a little nostalgic when I think about how it will feel 100 years from now when all our cell phone photos are gone and our grandchildren can’t log in to Facebook to look at them. And even if they could, the “originals” would have been long lost. Not that there ever were any originals to begin with.

Having a shoebox full of prints or negatives is a treasure that we are going to miss one day.

Voigtlander Prominent

I was asked to try and sell this for a friend of mine. Seems only prudent to run a roll or two through it, right?

The camera is a Voigtlander Prominent, produced from 1952 to 1958. It is very well-made and feels terrific in hand. Details are all wonderful, and match any Leica I’ve used. Too bad it’s so terrible to actually use. The rangefinder is pretty awful, and its window is too far left, especially for left-eyed shooters like me. Focusing is done by turning the top knob on the left. How’s that a good idea? It isn’t.

It’s for sale, but was fun to play with for a roll or two.

Here’s a sample shot (Tri-X @1600 in Diafine)…

Hmmm, this could be why all my enlargements on the Beseler have sucked.

Hmmm, this could be why all my enlargements on the Beseler have sucked.

Photographers and their cameras

Nifty flickr thread with photos of many photographers with their many cameras.

I’ve only recently begun darkroom printing - again. The above image shows Richard Avedon’s notes to his printer. I can’t imagine doing anything like that.

I’ve only recently begun darkroom printing - again. The above image shows Richard Avedon’s notes to his printer. I can’t imagine doing anything like that.